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James Altucher interviews bestselling author Jeff Pearlman about his new book "Only God Can Judge Me: The Many Lives of Tupac Shakur." Pearlman, who previously wrote 10 sports books, ventured outside his comfort zone to examine the contradictions and complexities of Tupac's life beyond the typical mystique. (05:00) The conversation explores how Tupac's upbringing as the son of a Black Panther shaped his worldview, his evolution from a performing arts student to hip-hop icon, and the tragic circumstances surrounding his death in Las Vegas.
James Altucher is an entrepreneur, author, and podcast host who ran a website development company in the 1990s that worked with major entertainment labels. He has a computer science background and has written multiple books on entrepreneurship and personal development.
Jeff Pearlman is a bestselling author and journalist who has written 11 books, including 10 sports biographies like "The Last Folk Hero," "Showtime," and "Sweetness." His latest work ventures into hip-hop territory with his comprehensive biography of Tupac Shakur, representing his first major departure from sports writing.
Pearlman reveals that Tupac, like many of his contemporaries including Ice Cube, Dr. Dre, and even Suge Knight, wasn't actually a gangbanger despite the tough image. (09:02) Suge Knight was described as "a football marching band kid who surrounded himself with gangbangers." Tupac's approach was more journalistic - he once spent four days following crack dealer Bobby Burton in Marin City, taking notes to understand street life for his music. This storytelling approach allowed him to authentically represent experiences he observed rather than lived, making his art both genuine and educational.
Unlike other rappers who focused on personal experiences, Tupac was raised with a political consciousness that demanded action, not just performance. (07:02) His mother was a Black Panther who represented herself in the Panther 21 trial while pregnant with Tupac. This upbringing instilled in him the belief that art should serve as a "call to action" for Black empowerment and social justice. Pearlman argues this is why Tupac would likely be "livid" about current social issues and would be "on the front run, giving middle fingers to ICE agents."
Tupac was primarily a performing arts student before becoming a rapper, attending Baltimore School of Performing Arts and performing in theater programs. (19:20) He only got his breakthrough role in "Juice" by accident when accompanying a friend to an audition. Jim Belushi, who worked with Tupac on "Gang Related," told Pearlman that Tupac was "probably one or two movies away from an Academy Award." This suggests that with more time, Tupac might have transitioned more heavily into acting, potentially becoming a major film star.
Contrary to popular belief, Tupac's murder wasn't about the famous rap rivalry but stemmed from a spontaneous Vegas incident. (23:35) After attending the Mike Tyson fight, Tupac saw Orlando Anderson in the MGM Grand lobby and learned Anderson had stolen a Death Row medallion. With "the impulse control of a pen," Tupac confronted and beat Anderson publicly. For Anderson, being beaten by "the little rapper" rather than a fellow gangbanger was an unbearable humiliation that demanded retaliation, leading to the fatal shooting later that night.
Pearlman uncovered a remarkable story showing Tupac's vision for political engagement. (41:20) During a tour argument with Lords of the Underground rapper Dupree Kelly, Tupac later approached him privately to discuss how Black men needed to move beyond music into actual governance. He told Kelly: "We can't just have laws made about us. We need to be legislators... we may need to run for office." Kelly credited this conversation with inspiring his later successful run for Newark city councilman, suggesting Tupac was already thinking about transitioning from entertainment to political leadership.